Your writing is very moving. Tears came to my eyes when I read the last page of Dancers.
You have such wonderful imagery!
WOW! What beauty! I was completely hooked before I finished the first story.
You take readers on such wonderful journeys and your writing contains such wonderful lessons.
These stories have the flavor of an old sea tale, or something told around a campfire late at night. You have a wonderful distinctive voice.
After 20 years, I’ve decided to get back in the game. My first work of published fiction is Tales Told ‘Round Celestial Campfires and you should all go purchase copies for yourself, everyone you care about, people you know intimately or just in passing, especially those you’ve either linked to or friended and have basically forgotten exist. Sharing your sense of wonder over Tales Told ‘Round Celestial Campfires is a phenomenal way to get back in touch. Imagine the joy you’ll spread when you reach out to all those relationships both remembered and forgotten with “I’ve just heard about this amazing book, Tales Told ‘Round Celestial Campfires, and it’s a must read!”
Your writing has a tenderness most men can’t master.
Wow! Terrific! Beautiful storytelling!
Your stories show the power of love.
Extremely powerful storytelling!
Tales Told ‘Round Celestial Campfires contains fourteen stories. Most are love stories. Not romances, just love. Love in the form of acceptance. Acceptance of yourself, of others, of situations. Self-awareness is also a big theme with me. Even when self-awareness is painful or catches one unawares.
I love the way the reader gradually realizes what it is with your stories, and I love what it is.
I loved the feel, the tone of your writing – it is very sensitive, ethereal.
You’re a writer of genuine feeling.
Wonderful, entertaining and teaching. Amazing!
I really get the sense that I’m sitting down, listening to a storyteller weave the pattern of a story. That’s really neat. It’s a real pleasure to read your stories just for the beauty of the words.
Here are the first pages from four of the stories to give you an idea:
Dancers in the Eye of Chronos
Hyphi and Gal parade onto the great hall’s floor, he half a pace ahead, she half a pace behind, their legs moving like a cat’s caught in headlights while their torsos remain straight and even. They pass the crowd among applause and hurrahs then pass the judges. Eyes focus on their clothes as well as their steps and the DJ looks to the judges for his cue. In mid-stride, the great hall rumbles as the DJ’s turntables engage.
Hyphi and Gal rumba. Gal wears a tasteful nuevo-Italian suit. Triple pleated frost brown pants with matching European cut jacket – no vent – brightly mottled red-and-yellow-on-black wide tie with double Windsor knot, ballooned creme shirt, pocketless, white gold with diamond eye studs, brown rattaned alligator Freeds – no Capezios here – frost brown silks, slightly darker than the pants and lighter than the shoes, easing the transition from one to the other. Tall. Broad shoulders, narrow waist, legs like tapered pillars and arms strongly anguine like boas, his hands and fingers long and graceful. His hair is salt&pepper, the salt like snow and the pepper like star studded night. His eyes are cyan iris against white orb like the sky seen through a cloud at sixty thousand feet. His skin is olive smooth, colored by a heredity so obvious it can’t be placed.
Hyphi’s head comes to just under his chin. Perfect for slow dancing. Perfect for sow dancing. Pale blue, three-ringed ruffle waisted skirt, line-thin lime green hip hugger belt, tight bodiced lime green blouse, ribbed and expanding beneath the breasts, showing the shoulders, white gold Bubo with emerald diamond eyes and hematite beak, tiny, clutching her throat on a slivered black band, finely silked scarf hinting at slipping from her softly muscled shoulders, pale earth tones of calmly pale earth scenes, dryads and naiads hiding and peeking as the scarf folds and unfolds to her dance, unnaturally natural blonde hair, eyes like his and skin the same, slightly lighter, yet the same. He smells of oceans and she smells of mists.
Those Wings Which Tire, They Have Upheld Me
Cowan was walking in the woods the first time he saw Angel. He was really looking for a haunted house the real estate lady told his parents was back there and he’d walked further into the woods than he’d ever gone before.
There was an inch of snow on the ground except where the sun came through the trees for most of the day. In those places the ground was muddy. Cowan felt the crisping of the snow under his boot and looked at his footprints, trying to remember what they really looked like when he could really see them.
He took off the wrap-around sunglasses he wore to hide the holes where his eyes had been, thinking maybe the sunglasses stopped what he used to see from getting through. He still smelled the woodiness of the trees, still felt the cool air on his face and his breath misting as he exhaled. His breath didn’t look right, though. That was because of the Cap.
Dr. Hargitay said the Cap was best at least until they were sure the cancer didn’t come back. After that, Dr. Hargitay told Cowan’s parents, maybe they could transplant.
But until then it was the Cap. Cowan felt funny wearing the Cap. It itched.
Cowan’s family moved closer to the hospital that previous winter. Mom and Dad wanted to be with him more and this was the only way to do it. Cowan knew there were lots of other kids whose parents had moved closer to the hospital, but few of those kids ever came out.
He sniffed and wiped his nose on his sleeve.
When Cowan showed up in his new school after Spring vacation, Kevin, who wasn’t even in his class and had stayed back twice, followed Cowan all over the playground, just walking behind him and sing-songing “I can’t See, I can’t See” until Cowan ran back into the school. Ms. Flanders heard him in the boysroom and sent in Mr. Horly, the janitor, to see if everything was okay.
Iggie dropped from the tree onto the fawn, his weight breaking its two hind legs. It tried to run anyway but its forelegs only clawed up the moist, dark forest floor, clouding Iggie’s thoughts as the rich earth aroma wafted into him. Iggie didn’t want the animal to suffer and bit into its throat, tearing out esophagus, jugular and various muscles. Still the fawn tried to escape. Iggie grew nauseous by the mix of his needs and the fawn’s attempts to break free. This wasn’t what he wanted. His father had told and taught him to make his kills quick and clean, to spare creatures any pain. Iggie curled one forepaw into a fist and punched through the fawn’s ribs, crushing the heart. The fawn stopped moving and Iggie, gazing up at the dark, star filled sky, let the blood trickle down his muzzle, dribble into his nostrils, and cover his fur from flews to belly as he dined.
TALL, HANDSOME, good build, good humor, able to stand on a rocking ship with my hands at my sides. Brown hair, brown eyes, black beard, white skin. Have been mistaken for a brown bear when I bathe in mountain streams, well educated (past 6th grade), still have all my teeth but not all my marbles. Looking for a well-rounded, buxom woman. Buxom men need not respond. Applicants should know by this that brains are more important than brawn. Dinners, dancing, demitasse, and dramamine. Send resume and salary history.
The ad sat on Iggie’s desk for two months. The first month he’d written it by hand and crossed out several portions. The second month he’d typed it into his computer, made several more edits, and returned to the forest.
He stared at the screen for some twenty minutes this time, ran the spelling checker over it four times, read the ad backwards to check for additional misspellings, and printed it out.
It occurred to me, as I sat watching, that the scene was not as it should be. The winds played oddly on the landscape, and even the patterns of the falling snow were different. However, it wasn’t until I turned off the floodlights, which are white, and turned on the ground lights, which are pink, that the entire scene was revealed to me.
You must remember that this was a very typical wintry night. The snow was falling in one of the worst – or best, according to my son – blizzards of the decade. But it was one of the heaviest snowfalls in the century, according to the weather service.
Anyway, my son and I stood by the glass doors that led to the backyard patio. we were watching the snow fall. He and I talked about skiing and sledding and tobogganing – I from memory and he from anticipation. As we talked, he pointed to something out in the field. We looked, but I couldn’t see anything. He wasn’t sure that he had seen anything, either, so we went back to a discussion of which broom to use to sweep off the pond.
We fell silent then, the late-night stillness of the house being interrupted only by the slurps of hot cider. We had pulled my big lounge chair around so that we could be comfortable. Suddenly David leapt to his feet and pointed out to the field. “Dad! Dad, look! What is that?”
His excitement startled me, and I jumped up from the lounge chair, nearly spilling my hot cider. I rubbed my eyes and looked. Then I rubbed my eyes and looked again. Something was moving out there on the field. Something…
“What is it, Dad?”
My first reaction was to take off my glasses and clean them. When I put them back on I saw the same basic picture. Only now the form – whatever it was – had moved farther across the field. “I’m not sure, Dave.” That was an understatement.
So please take a few moments to a) go get a copy of the book or Dancers in the Eye of Chronos and Those Wings Which Tire, They Have Upheld Me and b) tell all your friends about them. Link to this page, to my Amazon page, put it on Facebook, LinkedIn, Twitter, Instagram, Pinterest, Youtube and all the other social networks you’re on.